
Anmerkungen zur Transkription:
Set in the mist‑laden dawn of the early Middle Ages, this three‑act opera weaves poetry and music into a vivid tableau of power, faith, and longing. The opening scene unfolds in the austere courtyard of the monastery of Laura, perched on the Athos cliffs, where the stone walls and distant Aegean sea frame a world of cloistered ritual and restless imagination. From this remote sanctuary the drama lifts toward the glittering court of Byzantium, promising a shift from secluded devotion to imperial intrigue.
In the first act, the young Roman emperor‑in‑waiting Alexios and his fierce Norse half‑brother Harald stroll through the monastic grounds, their dialogue a blend of melancholy and yearning for a distant, sun‑lit destiny. Their voices echo against the ancient well and a lone olive tree, hinting at a heritage torn between northern steel and southern splendor. As they speak of voyages and forgotten battles, the audience senses a tension that will ripple through the palace walls and the fate of the twin sisters, Theophano and her sibling, whose shadows already stir the unfolding narrative.
Language
de
Duration
~41 minutes (39K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Jana Srna, Heiko Evermann, Alexander Bauer and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
Sep 10, 2013
Rights
Public domain in the USA.
Subjects

1872–1944
A late-Romantic German composer and conductor, he wrote operas, orchestral music, chamber works, and songs, but his career is inseparable from the cultural politics of Nazi Germany. His music has drawn renewed attention in recent years as listeners and scholars revisit both the sound of his work and the history around it.
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1867–1954
A teacher, theologian, and writer, he built a literary life around education and culture in northern Germany. His work ranged across novels, drama, and essays, with a lasting connection to Lübeck’s civic and theatrical world.
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