The Works of Aphra Behn, Volume I

audiobook

The Works of Aphra Behn, Volume I

by Aphra Behn

EN·~14 hours·16 chapters

Chapters

16 total

THE WORKS OF APHRA BEHN - Edited by - MONTAGUE SUMMERS

0:03

VOL. I - The Rover (Part i); or, The Banish’d Cavaliers The Rover (Part ii); or, The Banish’d Cavaliers The Dutch Lover The Round-Heads; or, The Good Old Cause

0:14

To Francis James, this the first collected edition of Aphra Behn.

0:28

PREFACE.

2:59

MEMOIR OF MRS. BEHN.

1:05:16

The Text.

2:47

The Portraits Of Mrs. Behn.

2:01

Footnotes

21:05

Explanation of “Notes”

0:56

THE ROVER; OR, THE BANISH’D CAVALIERS. PART I.

3:17:20

Description

This volume gathers several of Aphra Behn’s most celebrated stage works, opening with the lively comedy The Rover and its continuation, followed by the spirited Dutch Lover and the politically charged Round‑Heads. The plays showcase her sharp wit, bold characters, and the vibrant Restoration world of love, intrigue, and social maneuvering, inviting listeners to experience the humor and tension that made her a favorite of 17th‑century audiences.

Accompanying the dramas is a thoughtfully prepared introduction that untangles the many myths surrounding Behn’s own life and explains the editorial decisions behind this collection. Detailed notes illuminate period references, linguistic quirks, and theatrical conventions, helping modern ears follow the action and appreciate the author’s pioneering role as one of England’s first professional women writers. The result is an accessible, richly contextualized listening experience that brings Behn’s spirited voice to life.

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Details

Language

en

Duration

~14 hours (857K characters)

Publisher of text edition

Project Gutenberg

Release date

2007-05-05

Rights

Public domain in the USA.

About the author

Aphra Behn

Aphra Behn

1640–1689

A pioneering voice of the Restoration, this playwright, poet, and prose writer became one of the first English women known to make a living by her pen. Best remembered today for bold stage comedies and the novella Oroonoko, she wrote with unusual freedom about power, gender, and desire.

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