
audiobook
by Mrs. Inchbald, Joseph Patrat
THE - WIDOW's VOW. - A - FARCE, - IN TWO ACTS, - AS IT IS ACTED - AT THE THEATRE ROYAL, HAY-MARKET.
LONDON: - PRINTED FOR C. G. J. AND J. ROBINSON, PATER-NOSTER ROW. 1786.
PROLOGUE, - Written by Mr. HOLCROFT, Spoken by Mr. BANNISTER, jun.
ADVERTISEMENT.
DRAMATIS PERSONÆ.
ACT I.
ACT II.
A lively prologue sets the tone, taking the audience through a whirlwind of satire that lampoons the excesses of fashion, auctions, and the ever‑present chatter of society’s anxieties. The humor is sharp but affectionate, promising a night of merriment that pokes fun at the pretensions of its time while reassuring listeners that the spectacle will stay light‑hearted.
In the first act we meet the stern widow of a once‑lovely Spanish castle, a woman who has sworn off all men after a series of ill‑fated marriages that left her father and husbands grieving. Her household staff, especially the talkative Jerome and the melodramatic Flora, narrate her tragic backstory with a blend of melodrama and comic exaggeration, hinting at the absurd lengths she will go to keep her vow.
The stage is set for a farcical clash of desire and denial, as servants and neighbors alike navigate the widow’s self‑imposed exile from romance, each encounter ripe with witty misunderstandings and playful banter.
Language
en
Duration
~37 minutes (36K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Delphine Lettau and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net
Release date
2011-04-25
Rights
Public domain in the USA.
Subjects

1753–1821
Known for sharp emotional storytelling and a life as dramatic as her fiction, this pioneering English writer moved from the stage to the page with striking success. Her novels and plays helped make her one of the most notable literary voices of the late eighteenth century.
View all books1732–1801
An 18th-century French actor and playwright, he built a career onstage before turning his sharp eye for comedy and drama into a large body of theatrical work. He is also remembered for writing the libretto for Grétry’s opera Richard Coeur-de-lion.
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