The Widow's Vow: A Farce, in Two Acts

audiobook

The Widow's Vow: A Farce, in Two Acts

by Mrs. Inchbald, Joseph Patrat

EN·~37 minutes·7 chapters

Chapters

7 total
1

THE - WIDOW's VOW. - A - FARCE, - IN TWO ACTS, - AS IT IS ACTED - AT THE THEATRE ROYAL, HAY-MARKET.

0:06
2

LONDON: - PRINTED FOR C. G. J. AND J. ROBINSON, PATER-NOSTER ROW. 1786.

0:04
3

PROLOGUE, - Written by Mr. HOLCROFT, Spoken by Mr. BANNISTER, jun.

2:35
4

ADVERTISEMENT.

0:17
5

DRAMATIS PERSONÆ.

0:16
6

ACT I.

20:00
7

ACT II.

14:24

Description

A lively prologue sets the tone, taking the audience through a whirlwind of satire that lampoons the excesses of fashion, auctions, and the ever‑present chatter of society’s anxieties. The humor is sharp but affectionate, promising a night of merriment that pokes fun at the pretensions of its time while reassuring listeners that the spectacle will stay light‑hearted.

In the first act we meet the stern widow of a once‑lovely Spanish castle, a woman who has sworn off all men after a series of ill‑fated marriages that left her father and husbands grieving. Her household staff, especially the talkative Jerome and the melodramatic Flora, narrate her tragic backstory with a blend of melodrama and comic exaggeration, hinting at the absurd lengths she will go to keep her vow.

The stage is set for a farcical clash of desire and denial, as servants and neighbors alike navigate the widow’s self‑imposed exile from romance, each encounter ripe with witty misunderstandings and playful banter.

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Details

Language

en

Duration

~37 minutes (36K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Delphine Lettau and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net

Release date

2011-04-25

Rights

Public domain in the USA.

About the authors

Mrs. Inchbald

Mrs. Inchbald

1753–1821

An English novelist, actress, and playwright whose life on and around the stage fed directly into sharp, emotional fiction. Best known today for A Simple Story and Nature and Art, she helped make women’s writing a visible force in late 18th-century Britain.

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JP

Joseph Patrat

1732–1801

An energetic figure of 18th-century French theater, he moved from acting on stage to writing a large body of plays for some of Paris’s best-known companies. His career stretched from Berlin and Brussels to Paris, where he became especially associated with comic and popular theater.

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