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THE VIOLIN: SOME ACCOUNT OF THAT LEADING INSTRUMENT, AND ITS MOST EMINENT PROFESSORS, FROM ITS EARLIEST DATE TO THE PRESENT TIME; WITH HINTS TO AMATEURS, ANECDOTES, ETC.
PREFACE - TO THE PRESENT EDITION.
THE VIOLIN, - ETC. - CHAPTER I. - ORIGINAL AND EARLY HISTORY OF THE VIOLIN.
CHAPTER II. - THE ITALIAN SCHOOL.
CHAPTER III. - PAGANINI.
CHAPTER IV. - THE FRENCH SCHOOL.
CHAPTER V. - THE GERMAN SCHOOL.
CHAPTER VI. - THE ENGLISH SCHOOL.
CHAPTER VII. - AMATEURS.
CHAPTER IX. - ON THE CONSTRUCTION OF THE VIOLIN.
Tracing the violin from its humble beginnings among ancient lyres and medieval fiddles, this lively account follows the instrument’s long journey across cultures and centuries. It weaves together snapshots of early craftsmanship, the gradual emergence of the modern shape, and the shifting social attitudes that took the violin from street minstrels to court favorites. Anecdotes about obscure folk players sit alongside tales of celebrated virtuosos, giving readers a textured sense of how the violin earned its reputation as a leading voice in music.
The second part turns to the great Italian schools that defined the violin’s golden age, spotlighting figures such as Corelli, Vivaldi, Tartini and their colorful personal stories. Along the way the author sprinkles practical hints for amateur players, from basic bowing advice to ways of appreciating the instrument’s expressive possibilities. The result is a concise, engaging portrait that both informs and inspires anyone curious about the violin’s rich heritage.
Full title
The Violin Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc. Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
Language
en
Duration
~12 hours (747K characters)
Publisher of text edition
Project Gutenberg
Release date
Jul 21, 2012
Rights
Public domain in the USA.
Subjects
1799–1882
Best remembered for a lively, often reprinted history of the violin, this 19th-century music writer helped bring performers, anecdotes, and musical culture to a wide readership. He also wrote song lyrics and spent many years contributing to newspapers, especially in Brighton.
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