
HOME UNIVERSITY LIBRARY OF MODERN KNOWLEDGE
THE VICTORIAN AGE IN LITERATURE - BY - G. K. CHESTERTON
NEW YORK HENRY HOLT AND COMPANY - LONDON THORNTON BUTTERWORTH LTD.
Copyright, 1913, by HENRY HOLT AND COMPANY
THE VICTORIAN AGE IN LITERATURE - INTRODUCTION
CHAPTER I - THE VICTORIAN COMPROMISE AND ITS ENEMIES
CHAPTER II - THE GREAT VICTORIAN NOVELISTS
CHAPTER III - THE GREAT VICTORIAN POETS
CHAPTER IV - THE BREAK-UP OF THE COMPROMISE
BIBLIOGRAPHICAL NOTE
This volume offers a thoughtful guide to the literary world of the nineteenth‑century British empire, treating the era not as a simple timeline but as a network of ideas, schools, and cultural currents. The author argues that to understand the great Victorians one must look beyond dates and isolated genius, seeing each writer’s convictions and social milieu as part of a larger, interconnected fabric.
Through clear, engaging prose the work examines how figures such as Dickens, Browning, and their contemporaries were shaped by the moral and philosophical debates of their day—whether rooted in utilitarianism, religious reform, or emerging democratic ideals. By positioning the critic as a fellow Victorian, the author brings an intimate yet analytical perspective that highlights the tension between individual creativity and the prevailing spirit of the age.
The opening chapter introduces the notion of a “Victorian compromise,” exploring how the period’s literature both inherited and transformed earlier Roman, medieval, and early‑modern influences. Listeners will discover how Victorian writers extended the cultural “gardens” of the past while confronting the new challenges of their time, setting the stage for a richer appreciation of the era’s lasting legacy.
Language
en
Duration
~4 hours (241K characters)
Series
Home University Library of Modern Knowledge, No. 61
Publisher of text edition
Project Gutenberg
Credits
Produced by Karina Aleksandrova, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2006-06-20
Rights
Public domain in the USA.

1874–1936
Best known for the Father Brown stories, this endlessly quotable English writer brought wit, paradox, and big ideas to everything he touched. He moved easily between detective fiction, essays, criticism, and Christian thought, making serious subjects feel lively and readable.
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