
HARVARD COLLEGE LIBRARY - FROM THE - QUARTERLY JOURNAL OF ECONOMICS
THE VALUE OF MONEY - BY B. M. ANDERSON, JR., Ph. D. ASSISTANT PROFESSOR OF ECONOMICS, HARVARD UNIVERSITY AUTHOR OF "SOCIAL VALUE"
PREFACE
ANALYTICAL TABLE OF CONTENTS - PART I. THE VALUE OF MONEY AND THE GENERAL THEORY OF VALUE
PART I. THE VALUE OF MONEY AND THE GENERAL THEORY OF VALUE
THE VALUE OF MONEY - CHAPTER I - ECONOMIC VALUE
PART II. THE QUANTITY THEORY
PART III. THE VALUE OF MONEY
PART IV. THE RECONCILIATION OF STATICS AND DYNAMICS
This study examines what determines the value of money, insisting that the question cannot be divorced from the broader theory of value. It proposes that most exchange arises from continual change and readjustment, with speculation playing a dominant role. By treating money as a dynamic instrument rather than a static quantity, the author challenges the traditional quantity theory and its equilibrium assumptions.
To support these ideas, the author presents extensive data on retail and wholesale trade, foreign versus domestic transactions, and the scale of speculation in commodities and securities. He also surveys banking activity, revealing that most clearings are tied to market speculation and that modern banks fund industry largely through stock‑related credit. The analysis suggests that the close relationship between banks and the exchange actually strengthens ordinary commerce, offering a nuanced view of monetary policy’s foundations.
Language
en
Duration
~21 hours (1213K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Curtis Weyant and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
2011-01-02
Rights
Public domain in the USA.

1886–1949
Best known as a sharp critic of inflation and government intervention, this American economist brought a banker’s eye and a teacher’s clarity to debates about money, business cycles, and the Great Depression. His writing still stands out for its direct, forceful style.
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