
audiobook
THE TALLANTS OF BARTON.
LONDON: BRADBURY, EVANS, AND CO., PRINTERS, WHITEFRIARS.
CHAPTER I. WEDDING BELLS.
CHAPTER II. “YET OFT O’ER CREDULOUS YOUTH SUCH SIRENS TRIUMPH, AND LEAD THEIR CAPTIVE SENSE IN CHAINS AS STRONG AS ADAMANT.”
CHAPTER III. COMING HOME.
CHAPTER IV. TRAVELLERS BY LAND AND SEA.
CHAPTER V. LORD AND LADY VERNER.
CHAPTER VI. IN WHICH DAME FORTUNE PLAYS OFF HER GRIM JOKE UPON LIONEL HAMMERTON.
CHAPTER VII. CONTAINS A LETTER FROM A DEAR FRIEND, AND TAKES THE READER ONCE MORE TO SEVERNTOWN.
CHAPTER VIII. PORTENDS A DEED OF VENGEANCE.
A glittering ceremony opens the tale, where Miss Amy Tallant steps into St. George’s, Hanover Square amid an entourage of aristocrats, diplomats and glittering society. The narrative paints the wedding in sumptuous detail—white grenadine gowns, pearl‑and‑diamond necklaces, a cake crowned with a miniature castle—while the assembled guests represent the tangled web of wealth and influence that defines the Tallant world.
Beyond the pageantry, the celebration hints at the financial currents that drive the family’s fortunes. Whispers of Mr. Jenkins’s ambitious schemes, the Earl of Verner’s cautious optimism, and the subtle rivalries among the Tallant relatives suggest that love and alliances are as much about balance sheets as about hearts. As the newlyweds embark on their shared life, listeners are drawn into a society where every toast conceals a calculation, and the promise of prosperity hangs as delicately as the bride’s veil.
Language
en
Duration
~4 hours (262K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: Tesley Brothers, 1867.
Credits
Sonya Schermann, Debrah Thompson and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2023-05-21
Rights
Public domain in the USA.

1841–1907
A prolific Victorian journalist and storyteller, he moved easily between newspapers, novels, and the theater. His career joined sharp reporting with popular fiction, making him a familiar literary name in late 19th-century Britain.
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