The sunken world

audiobook

The sunken world

by Stanton A. (Stanton Arthur) Coblentz

EN·~9 hours·39 chapters

Chapters

39 total

Transcribed from *Amazing Stories Quarterly*, Summer 1928 (vol. 1, no. 3, pp. 292–377).

1:53

FOREWORD

1:54

INTRODUCTION

5:24

CHAPTER I Harkness Explains His Disappearance

27:53

CHAPTER II Untraveled Depths

13:49

CHAPTER III On Unknown Shores

11:58

CHAPTER IV A Tour of Exploration

8:22

CHAPTER V The Mysterious City

10:02

CHAPTER VI The Temple of the Stars

9:36

CHAPTER VII Trapped

8:45

Description

Deep beneath the ocean’s surface, a daring American submarine slips into waters long thought impassable, its crew drawn into a realm of towering glass domes and flickering lanterns. As the searchlights sweep the abyss, familiar shapes emerge—temple rooftops, strange finned creatures slipping through windows—suggesting a civilization that has survived the crushing tide of time. The narrator’s first glimpse of the sunken city fills the listener with both wonder and an uneasy dread, hinting at mysteries older than modern science. Early chapters follow the expedition’s initial investigations, balancing tense action with vivid descriptions of an alien underwater world.

Beyond the spectacle, the story uses this lost empire to hold a mirror to our own technological hubris, questioning whether progress without wisdom leads to ruin. The prose blends 1920s speculative optimism with sharp satire, offering thoughtful commentary on how power is wielded. Listeners will find a blend of suspenseful exploration and philosophical probing that feels fresh even a century after its debut. The narrative invites imagination to dive deep, asking what might lie beneath the surface of both sea and society.

Details

Language

en

Duration

~9 hours (523K characters)

Release date

2025-11-17

Rights

Public domain in the USA.

About the author

Stanton A. (Stanton Arthur) Coblentz

Stanton A. (Stanton Arthur) Coblentz

1896–1982

A poet-turned-storyteller, this early science fiction writer brought satire, social criticism, and a distinctly literary voice to pulp-era adventures. His work moved easily between verse and speculative fiction, giving even far-future tales an old-school, thoughtful feel.

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