
audiobook
by Isaac Bickerstaff, Sir Richard Ford, Prince Hoare, Dorothy Jordan
THE
A lively farce opens in the bustling dining room of Old Pickle’s country house, where a teasing sibling duo quarrels over the mischief of a spoiled boy. The sister, determined to curb his antics before they become habit, implores her brother to enforce a stern punishment, while he defends the child’s whimsical ways with affectionate sarcasm. Their colorful exchange sets the stage for a comedy of errors, hinting at the chaos that will ripple through the household as the young troublemaker tests the limits of parental patience.
The play begins with a witty prologue delivered by Mrs. Jordan, who playfully critiques the theater’s conventions and warns the audience of the “spoilt children” both on‑stage and in society. As dinner is prepared and the characters take their places, the audience is invited to watch a charming clash of discipline and indulgence, promising clever dialogue, exaggerated personalities, and plenty of opportunities for laughter in the first act.
Language
en
Duration
~40 minutes (38K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: Barker and Son, 1805.
Credits
Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2022-07-30
Rights
Public domain in the USA.
1735–1812
An Irish playwright and librettist whose comic operas helped delight 18th-century audiences, he is best remembered for lively stage works such as Love in a Village and The Padlock. His career mixed real theatrical success with a dramatic personal downfall, which eventually drove him abroad.
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d. 1806
Best known for bringing Spain vividly to English readers, this 19th-century writer turned years of travel, sketching, and close observation into books that were lively, sharp-eyed, and hugely influential.
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1755–1834
A lively figure in Britain’s art world around 1800, he moved easily between painting, criticism, and the stage. Best known today as a dramatist and librettist as well as an artist, he brought a sharp, theatrical energy to everything he wrote.
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1761–1816
A lively Anglo-Irish stage star of the late 18th century, she was celebrated for sparkling comic performances and breeches roles, and her life offstage drew just as much attention as her work in the theater.
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