
Transcriber’s Note
PREFACE
NOTE
ILLUSTRATIONS
THE SPIRIT OF AMERICAN SCULPTURE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
A thoughtful survey of American sculpture traces how the nation’s history shaped its artistic voice. Beginning with the Revolutionary era and the War of 1812, the author shows how early public monuments echoed a fledgling national identity, while the post‑Civil‑War period revealed a yearning for richer, more expressive forms. The narrative highlights the tension between commercial stone soldiers and the emerging desire for genuine artistic collaboration with industry, noting how each conflict and peace moment redirected creative ambition.
The book then moves to the vibrant decades surrounding the 1876 Centennial, when American sculptors finally broke free from European‑style inertia. Readers meet figures such as Augustus Saint‑Gaudens, Daniel Chester French, and John Quincy Adams Ward, whose bold bronzes and allegorical groups signaled a confident, home‑grown aesthetic. By weaving together wars, expositions, and individual triumphs, the work paints a nuanced picture of how America’s plaster, marble, and bronze evolved into a distinct cultural expression.
Language
en
Duration
~3 hours (198K characters)
Publisher of text edition
Project Gutenberg
Original publisher
New York: The National Sculpture Society, 1923.
Credits
The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive and by HathiTrust)
Release date
2023-12-24
Rights
Public domain in the USA.

1859–1948
A lively voice in American art writing, she brought sculptors and painters to life for general readers and also published poetry of her own. Her work sits at the crossroads of biography, criticism, and the cultural world of the late 19th and early 20th centuries.
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