The Speaker, No. 5: Volume II, Issue 1 December, 1906.

audiobook

The Speaker, No. 5: Volume II, Issue 1 December, 1906.

by Various Authors

EN·~3 hours·32 chapters

Chapters

32 total
1

Transcriber's Note

0:05
2

THE SPEAKER

8:39
3

On Time

0:54
4

The Knight in the Wood

1:18
5

"A Little Feminine Casabianca"

10:03
6

What He Got Out of It

0:34
7

The Play's the Thing

12:17
8

The Dancing School and Dicky

12:01
9

"A Model Story in the Kindergarten"

4:38
10

Fishin'?

0:12

Description

The opening pages set out a passionate manifesto for the art of public speaking, insisting that true mastery begins with the will rather than mere technique. The author argues that without a determined purpose, exercises in articulation or gestures amount to little more than empty practice, and stresses the teacher’s role in guiding students toward self‑reliance and personal resolve.

Readers are invited to explore how disciplined habits—steady voice, clear diction, graceful movement—are cultivated through constant, mindful effort. The text warns against over‑critical instruction, advocating instead a balance of encouragement and thoughtful critique that awakens a student’s own sense of “vision, beauty, truth and love.” It also probes the danger of insincere performance, urging speakers to let the message shine while keeping personal flourish in the background.

Overall, this early twentieth‑century guide offers a thoughtful blend of philosophical insight and practical advice, inviting modern listeners to reconsider the deeper purpose behind every spoken word.

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Details

Full title

The Speaker, No. 5: Volume II, Issue 1 December, 1906. December, 1906.

Language

en

Duration

~3 hours (194K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Barbara Tozier, C. St. Charleskindt, Bill Tozier and the Online Distributed Proofreading Team at https://www.pgdp.net

Release date

2009-04-05

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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