
THE SLAVE-AUCTION.
PREFACE.
THE SLAVE-AUCTION.
THE CHRISTIAN SLAVE.
THE SLAVE MINGO’S POEM.
Set in a bustling Southern city, the narrative opens inside a grand hall that, at first glance, resembles a genteel social club. Richly dressed gentlemen sip fine liquors while perusing maps of property, and elegant ladies glide in, all oblivious to the dark purpose of the gathering. Beneath the polished décor, a platform and rows of chairs await the arrival of a grim spectacle: a public slave auction.
The author, a longtime resident of the slave states, uses this vivid scene to launch a searing moral inquiry, questioning how a society that claims Christian values can justify the buying and selling of human beings. Drawing on personal observation, he contrasts the veneer of civilization with the brutal reality of families torn apart, urging listeners to confront the contradictions of a nation that preaches liberty yet practices bondage. The work blends historical detail with impassioned appeal, offering a compelling glimpse into a pivotal moment when conscience and complacency clash.
Language
en
Duration
~1 hours (65K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: Robert F. Wallcut, 1859.
Credits
David E. Brown and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Jul 8, 2022
Rights
Public domain in the USA.
Subjects

A little-known 19th-century writer, this author is remembered for a stark antislavery work that confronts the cruelty of slave auctions in the United States. His surviving public record is very slim, which gives the book an added sense of historical rarity.
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