
A thoughtful series of essays invites listeners into a conversation about how poetry ought to be read, judged, and understood. Written with the same rigor as a literary lecture yet alive with wit, the author examines the legacy of past poets and the responsibilities of contemporary critics. The opening reflections on figures like Matthew Arnold set a tone of measured reassessment, questioning long‑held assumptions while keeping an eye on the evolving landscape of modern verse.
The collection moves from broad cultural observations to close‑up analyses of poetic craft, exploring ideas such as the “impersonality” of the poet’s voice and the necessity of tradition as a living resource. By juxtaposing Romantic excesses with the emerging modernist sensibility, the essays reveal how a writer’s awareness of history can sharpen originality. Listeners will come away with a clearer sense of why criticism matters, how literature reflects its age, and what it means to create enduring poetry today.
Language
en
Duration
~4 hours (248K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Meredith Bach, David King, and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2018-08-28
Rights
Public domain in the USA.
Subjects

1888–1965
A central voice of modern poetry, he changed the sound of 20th-century literature with works like The Love Song of J. Alfred Prufrock and The Waste Land. Born in St. Louis and later a British citizen, he also wrote influential criticism and won the 1948 Nobel Prize in Literature.
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