
audiobook
by T. S. (Thomas Stearns) Eliot
EZRA POUND: HIS METRIC AND POETRY - I
II
BIBLIOGRAPHY OF BOOKS - AND PARTIAL BIBLIOGRAPHY OF NOTABLE CRITICAL ARTICLES BY EZRA POUND - POEMS
PROSE
POEMS
OTHER PUBLICATIONS
POEMS
OTHER PUBLICATIONS
POEMS
OTHER PUBLICATIONS
Stepping beyond the usual polemics, this essay offers a calm, reader‑focused overview of Ezra Pound’s first decade as a poet. It acknowledges the flood of contradictory opinions—scholar, provocateur, technician, prophet—while inviting listeners to pause and hear the poems themselves. Rather than dictating a judgment, the piece presents key criticisms and observations, encouraging you to shape your own view of his early voice.
The narrative begins with Pound’s modest Venetian debut, A Lume Spento, a self‑published volume that surprised even the London Evening Standard with its “wild and haunting” energy. It then traces his swift move to England, where Personae arrived in 1909 and set the stage for a series of daring experiments that challenged the decorative conventions of the day. By the end of the first ten years, the essay sketches how his boldness sparked both admiration and controversy, leaving a vivid imprint on modern poetry.
Language
en
Duration
~45 minutes (43K characters)
Publisher of text edition
Project Gutenberg
Credits
Text files produced by Andrea Ball, David Starner, Charles Franks, Juliet Sutherland, and the Online Distributed Proofreading Team HTML file produced by David Widger
Release date
2005-01-01
Rights
Public domain in the USA.

1888–1965
A central voice of modern poetry, he changed the sound of 20th-century literature with works like The Love Song of J. Alfred Prufrock and The Waste Land. Born in St. Louis and later a British citizen, he also wrote influential criticism and won the 1948 Nobel Prize in Literature.
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