The Review, Vol. 1, No. 6, June 1911

audiobook

The Review, Vol. 1, No. 6, June 1911

by Various Authors

EN·~1 hours·10 chapters

Chapters

10 total
1

| VOLUME I, No. 6. | JUNE, 1911 |

0:02
2

THE REVIEW

0:46
3

THE NATIONAL CONFERENCE

2:49
4

REPORT OF COMMITTEE ON LAWBREAKERS

25:27
5

THE SUPPRESSION OF MORAL DEFECTIVES

4:20
6

THE ABOLITION OF THE JAIL

3:15
7

MENTAL DEFECTS AND DELINQUENCY

17:39
8

TREATMENT OF THE MENTAL DEFECTIVE WHO IS ALSO DELINQUENT

3:17
9

PLACING MISDEMEANANTS ON PROBATION

8:20
10

Transcriber’s Notes

0:14

Description

Step into the bustle of Boston’s 1911 National Conference of Charities and Correction through the pages of a once‑monthly journal produced by the National Prisoners’ Aid Association. The issue captures opening remarks, committee reports, and spirited debates about abolishing local jails, expanding workhouses, and reshaping probation and parole. Listeners will hear contemporary voices weighing prison labor, mental‑defective delinquency, and the need for reliable crime statistics.

The anthology blends formal resolutions with candid observations, revealing both optimism and frank criticism of early‑twentieth‑century reform efforts. Highlights include a striking English commissioner's praise of state prisons alongside his condemnation of county jails, and a call for standardized methods across the nation. This snapshot offers a vivid window onto the social‑justice concerns that shaped modern corrections, inviting reflection on how far the conversation has traveled.

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Details

Language

en

Duration

~1 hours (63K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United States: National Prisoners' Aid Association, 1913.

Credits

Franciszek Skawiński and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

Release date

2022-10-02

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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