
VOLUME I, No. 5.MAY, 1911THE REVIEWA MONTHLY PERIODICAL, PUBLISHED BY THENATIONAL PRISONERS’ AID ASSOCIATIONAT 135 EAST 15th STREET, NEW YORK CITY.TEN CENTS A COPY.SEVENTY-FIVE CENTS A YEARE. F. Waite, President.E. A. Fredenhagen,G. E. Cornwall,F. Emory Lyon, Vice President.Chairman Ex. Committee.Member Ex. Committee.O. F. Lewis, SecretaryJames Parsons,Albert Steelman,and Editor Review.Member Ex. Committee.Member Ex. Committee.A H. Votaw, Member Ex. Committee.
Step into the world of early‑twentieth‑century prison reform through a monthly journal that blends official reports with poignant commentary. In its opening article, a Canadian warden reflects on the everyday humanity of inmates, challenging the stereotype of the “great criminal” and arguing that most prisoners are young people shaped by physical, mental, or moral disadvantages. He shares a vivid episode of a repeat offender seeking a chance on the prison farm, only to falter under the weight of newfound responsibility.
The piece weaves together statistics, philosophical quotes from Victor Hugo and Thomas Carlyle, and personal anecdotes that illuminate the moral dilemmas faced by officials and families alike. A grieving wife’s plea for her husband’s release—her child clinging to her hand—underscores the broader social obligations beyond incarceration. Listeners will come away with a nuanced portrait of an era striving to balance justice, compassion, and the stubborn realities of the penal system.
Language
en
Duration
~1 hours (63K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: National Prisoners' Aid Association, 1913.
Credits
Franciszek Skawiński and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
Release date
2022-09-08
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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