The Pines of Lory

audiobook

The Pines of Lory

by John Ames Mitchell

EN·~3 hours·19 chapters

Chapters

19 total
1

E-text prepared by Roger Frank and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)

0:46
2

IA RELIC FROM AFRICA

10:31
3

IIFROTH OF THE SEA

16:42
4

IIIA FOOL AT THIRTY

13:23
5

IVNORTHWARD

16:25
6

VWONDERLAND

23:44
7

VITHE SECRET OF THE PINES

13:46
8

VIITHE CLOUDS GATHER

8:39
9

VIII“WOMEN ARE DEVILS”

7:13
10

IXA SINNER’S RECOMPENSE

21:55

Description

A steamship lazily cuts through the June heat, its deck a micro‑cosm of the bustling Boston wharf. Among the passengers, a impeccably dressed gentleman of aristocratic bearing surveys the scene with detached curiosity, while a gaunt, sun‑kissed stranger leans against the rail, his thin frame belying a surprisingly bright spirit. Their first encounter is marked by a simple, almost playful exchange about the city’s name, quickly turning into a probing dialogue that hints at deeper stories.

The gaunt man, introduced as “Pats,” speaks of a South African fever, bullet wounds, and a recent arrival in New York, his cheerful demeanor at odds with the hardships he has endured. The aristocrat, intrigued by this paradox, presses for details, revealing a subtle clash between polished society and the rugged resilience of a traveler scarred by distant wars.

As the vessel drifts toward the St. Lawrence, the two men’s conversation unfurls, offering a glimpse into themes of class, survival, and the unexpected camaraderie that can arise when strangers share a fleeting, confined world.

Details

Language

en

Duration

~3 hours (222K characters)

Publisher of text edition

Project Gutenberg

Release date

2009-12-04

Rights

Public domain in the USA.

Subjects

About the author

John Ames Mitchell

John Ames Mitchell

1845–1918

A Gilded Age magazine founder with a novelist’s eye and an artist’s wit, he helped shape American humor and illustration at the turn of the twentieth century. His work moved easily between publishing, drawing, satire, and fiction, giving his books a lively, visual charm.

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