
TO THE MEMORY OF MY FATHER - PART I—THE DREAM - I. THE PRINTERY - II. THE EAST EIGHTY-FIRST STREET FIRE - III. THE GOOD PEOPLE - IV. GOLDEN OCTOBER - V. MYRA AND JOE - VI. MARTY BRIGGS - VII. LAST OF JOE BLAINE AND HIS MEN - VIII. THE WIND IN THE OAKS - PART II—THE TEST - I. BEGINNINGS - II. THE NINE-TENTHS - III. OTHERS: AND SALLY HEFFER - IV. OTHERS: AND THEODORE MARRIN - V. FORTY-FIVE TREACHEROUS MEN - VI. A FIGHT IN GOOD EARNEST - VII. OF THE THIRTY THOUSAND - VIII. THE ARREST - IX. RHONA - X. THE TRIAL - XI. THE WORKHOUSE - XII. CONFIDENT MORNING - XIII. THE CITY - PART I—THE DREAM - I - THE PRINTERY
II. THE EAST EIGHTY-FIRST STREET FIRE
III. THE GOOD PEOPLE
IV. GOLDEN OCTOBER
KICK-BOX
JOE BLAINE.
V. MYRA AND JOE
VI. MARTY BRIGGS
VII. LAST OF JOE BLAINE AND HIS MEN
MARTIN BRIGGS SUCCESSOR TO
In the humming heart of an early‑twentieth‑century city, a crowded printery thrums with the clatter of massive presses and the low chatter of young women from the hat factory above. Joe, a wiry foreman with a soft smile, moves among the oily haze and flickering bulbs, savoring the rhythm of paper rolling out fresh, new stories. The cramped loft is a lively collage of cigarette smoke, laughter, and the bright bursts of candy‑wrapped parcels that the girls toss down the stairs, turning a grimy workshop into a surprisingly warm tableau.
Beneath the surface of this industrious routine, small breaches of rules—like a hidden heap of cotton waste soaked in oil—hint at a growing unease. As Joe negotiates contracts with the portly foreman Marty and watches the girls’ carefree faces, the pressroom’s steady hum begins to feel less like permanence and more like a prelude to something larger. The stage is set for a test of loyalties and ambitions that will ripple through the lives of everyone who calls the printery home.
Language
en
Duration
~6 hours (376K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-02-01
Rights
Public domain in the USA.

1882–1932
A poet, novelist, and editor with a strong social conscience, he helped shape early 20th-century American literary culture. He is especially remembered for founding and editing The Seven Arts and for writing verse that mixed idealism, modern city life, and spiritual searching.
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