
CHAPTER THE FIRST ~~ CONCERNING A BOOK THAT WAS NEVER WRITTEN
CHAPTER THE SECOND ~~ BROMSTEAD AND MY FATHER
CHAPTER THE THIRD ~~ SCHOLASTIC
CHAPTER THE FOURTH ~~ ADOLESCENCE
CHAPTER THE FIRST ~~ MARGARET IN STAFFORDSHIRE
CHAPTER THE SECOND ~~ MARGARET IN LONDON
CHAPTER THE THIRD ~~ MARGARET IN VENICE
CHAPTER THE FOURTH ~~ THE HOUSE IN WESTMINSTER
CHAPTER THE FIRST ~~ THE RIDDLE FOR THE STATESMAN
CHAPTER THE SECOND ~~ SEEKING ASSOCIATES
A weary narrator, newly arrived in an unfamiliar place, finds his thoughts buzzing like a swarm of restless bees. He struggles to give shape to a book that never quite materialized, repeatedly burning drafts and starting anew, all while measuring his own ambitions against the shadow of Niccolò Machiavelli. The act of re‑reading the Renaissance strategist’s letters and treatises becomes both a compass and a burden, as he tries to reconcile his personal cravings with the cold calculations of political theory.
Beyond his own turmoil, the work surveys the age‑old yearning for a better‑ordered world, recalling the grand visions of Plato, Confucius and countless others who imagined thriving cities, secure societies, and the triumph of reason over chaos. The narrator suggests that today’s would‑be state‑builders are caught in a tangled dance of idealism and intimate desire, echoing the same conflicted spirit that once drove Machiavelli to pen “The Prince.” This first act sets the stage for a meditation on power, purpose, and the human heart that underlies every grand design.
Language
en
Duration
~14 hours (827K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by An Anonymous Volunteer, and David Widger
Release date
1997-09-01
Rights
Public domain in the USA.

1866–1946
Best known for classics like The Time Machine and The War of the Worlds, this pioneering English writer helped shape modern science fiction while also writing history, politics, and social commentary. His stories still feel lively because they mix big ideas with clear, gripping storytelling.
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