The Modes of Ancient Greek Music

audiobook

The Modes of Ancient Greek Music

by D. B. (David Binning) Monro

EN·~4 hours·46 chapters

Chapters

46 total
1

THE MODES - OF - ANCIENT GREEK MUSIC - MONRO

0:11
2

The Modes - of - Ancient Greek Music - BY - D. B. MONRO, M.A.

0:37
3

PREFACE

3:10
4

THE MODES OF ANCIENT GREEK MUSIC.

0:02
5

§ 1. Introductory.

2:45
6

§ 2. Statement of the question.

2:02
7

§ 3. The Authorities.

2:23
8

§ 4. The Early Poets.

2:52
9

§ 5. Plato.

3:34
10

§ 6. Heraclides Ponticus.

4:48

Description

The book explores the ancient Greek musical modes—Dorian, Ionian, Phrygian, Lydian, and others—not only as the foundations of early Western music but also as tools thought to shape character and morality. Drawing on classical sources such as Plato’s Republic and Aristotle’s Politics, it shows how these scales were linked to ethical theory and state education, offering a window into the cultural priorities of the classical world.

The author revisits a long‑standing scholarly debate, challenging the dominant view of earlier musicologists and incorporating newly unearthed evidence, including a third‑century B.C. hymn to Apollo discovered at Delphi. By weaving together inscriptions, literary fragments, and modern archaeological findings, the work provides a fresh, cautious reconstruction of how the Greeks understood and employed their modes. Readers will come away with a richer appreciation of the intricate relationship between music, philosophy, and everyday life in antiquity.

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Details

Language

en

Duration

~4 hours (244K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Linda Cantoni, Paul Marshall, Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)

Release date

2012-07-20

Rights

Public domain in the USA.

About the author

D. B. (David Binning) Monro

D. B. (David Binning) Monro

1836–1905

A leading Homeric scholar of the late 19th century, this Oxford classicist helped shape how generations of readers approached the language of Homer. He is especially remembered for combining close textual study with a gift for clear explanation.

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