The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 569, October 6, 1832

audiobook

The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 569, October 6, 1832

by Various Authors

EN·~1 hours·10 chapters

Chapters

10 total
1

THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

0:07
2

LISBON.

12:00
3

RETROSPECTIVE GLEANINGS.

3:09
4

MANNERS AND CUSTOMS.

13:41
5

THE NATURALIST.

7:37
6

FINE ARTS.

3:38
7

HOSPITAL OF ST. CROSS, HANTS.

10:29
8

THE PUBLIC JOURNALS.

14:07
9

NEW BOOKS.

15:23
10

THE GATHERER.

4:21

Description

Step into an 1830s panorama of Lisbon, where the river Tagus frames a city that feels both ancient and newly reborn. The narrator guides listeners past the twin forts of St. Julian and Bugio, over the bustling quay of Belém, and into the Moor‑inspired convent of St. Geronymo, all while painting the hills, olive groves, and the grand aqueduct that supplies the capital’s water. The vivid descriptions capture the rhythm of merchant ships, the chatter of market squares, and the quiet elegance of the royal residences perched on higher ground, offering a sense of place that feels almost tangible.

Interwoven with contemporary remarks—such as Miss Baillie’s observations of the fashionable Buenos Ayres quarter—the piece blends travelogue with cultural commentary. Listeners will hear the city’s layered history, from the ruins of the 1755 earthquake to the orderly streets that rose from them, and the pride in Lisbon’s domes, towers, and bustling plazas. It’s a graceful walk through a moment when nature, architecture, and human ambition converge along the sparkling Tagus.

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Details

Language

en

Duration

~1 hours (81K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram, David Garcia and the PG Online Distributed Proofreading Team.

Release date

2004-11-10

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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