The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 568, September 29, 1832

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The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 568, September 29, 1832

by Various Authors

EN·~1 hours·9 chapters

Chapters

9 total
1

THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

15:14
2

Manners and Customs.

10:31
3

Spirit of Discovery. - STEAM CARRIAGES ON COMMON ROADS.

5:49
4

Old Poets.

3:48
5

Notes of a Reader.

8:22
6

The Public Journals. - VISIT TO THE SUMMIT OF MOUNT ETNA. - By Lieutenant G.H.P. White, Royal Navy.

15:25
7

Retrospective Gleanings. - ROBIN HOOD.

8:38
8

New Books.

12:37
9

The Gatherer

3:26

Description

A vivid portrait unfolds of a son of modest Newcastle roots, whose father’s shrewd trade in coal set the stage for his sons’ remarkable ambitions. From their early days at the local grammar school, the brothers displayed contrasting talents—one summarizing sermons with crisp clarity, the other delving into every detail. Though initially steered toward the church, a timely marriage redirected his path toward law, where his relentless reading and drafting work in Chancery forged a solid foundation.

Faced with early setbacks and a lingering self‑doubt, he contemplated retreat to a humble provincial practice. Yet a sudden illness of a senior counsel thrust him into a complex civil case, and in a single night he mastered its intricacies, securing an unexpected victory. This breakthrough ignited his confidence and reputation, drawing the attention of leading legal minds and setting him on a trajectory that would soon see him rise through the ranks of the bar.

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Details

Language

en

Duration

~1 hours (80K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram, Bill Walker and PG Distributed Proofreaders

Release date

2004-04-01

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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