The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 532, February 4, 1832

audiobook

The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 532, February 4, 1832

by Various Authors

EN·~1 hours·7 chapters

Chapters

7 total
1

THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

0:21
2

ROBERT THE DEVIL.

18:41
3

THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS.

15:30
4

NOTES OF A READER.

16:39
5

RETROSPECTIVE GLEANINGS.

6:30
6

SPIRIT OF THE PUBLIC JOURNALS.

10:41
7

THE GATHERER.

4:52

Description

Set against the mist‑shrouded banks of the Seine, the tale invites listeners into the world of an ancient Norman stronghold known as Robert the Devil’s Castle. The narrator paints vivid pictures of craggy towers, sprawling subterranean chambers, and the enchanted forest that surrounds the ruins, while weaving in the legends of a fierce lord whose deeds echo through centuries of folklore. As the story unfolds, historical threads connect the castle’s founder to the lineage of Rollo and the rise of William the Conqueror, giving a palpable sense of the medieval power struggles that shaped France.

Interlaced with these rich descriptions is a glimpse of 19th‑century theatrical fever, when Parisian opera houses staged “Robert le Diable” to roaring acclaim. The commentary explains how artists of the day recreated the drama’s spectacular scenes, from candle‑lit caverns to towering battlements, letting listeners feel the excitement of a period when stagecraft and legend collided. This blend of history, myth, and artistic enthusiasm makes the opening a compelling invitation to explore a world where stone, story, and song are inseparably entwined.

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Details

Language

en

Duration

~1 hours (70K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram, Allen Siddle and the Online Distributed Proofreading Team

Release date

2004-03-01

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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