The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 347, December 20, 1828

audiobook

The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 347, December 20, 1828

by Various Authors

EN·~1 hours·7 chapters

Chapters

7 total
1

EUROPEAN CITIES.—NAPLES.

5:10
2

LEICESTER ABBEY.—DEATH OF CARDINAL WOLSEY.

16:31
3

THE SKETCH BOOK.

8:27
4

MANNERS AND CUSTOMS OF ALL NATIONS.

9:22
5

THE SELECTOR AND LITERARY NOTICES OF NEW WORKS

27:38
6

THE ANECDOTE GALLERY.

5:35
7

THE GATHERER.

6:02

Description

In this lively 19th‑century travel essay, the reader is guided through an illustrated portrait of Naples, one of Europe’s most dazzling coastal cities. The author sets the scene with a sweeping view of the city perched above a volcanic basin, then weaves together geography, climate, and folklore— from the famous “see Naples and you’ve seen the world” saying to the tangled myths of Argonauts and sirens that claim its birth. The prose balances scholarly detail about hill‑crowned walls, bustling quarters, and the silhouette of Vesuvius with a warm, conversational tone that feels like a companion on a Grand Tour.

Beyond the skyline, the narrative invites listeners to wander narrow stone‑paved streets, admire the terraced balconies, and peek into the city's hundreds of churches and historic conservatories. References to Virgil’s tomb, ancient aqueducts, and the surrounding fertile lands give a sense of layered history, while lively observations on local customs and the rhythms of daily life capture the city’s spirited character. The episode paints Naples not only as a visual marvel but as a living tapestry of culture, nature, and enduring legend.

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Details

Language

en

Duration

~1 hours (75K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram, David Gil, David Garcia and the Online Distributed Proofreading Team.

Release date

2004-03-01

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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