The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 262, July 7, 1827

audiobook

The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 262, July 7, 1827

by Various Authors

EN·~1 hours·13 chapters

Chapters

13 total
1

HIS MAJESTY'S PONEY PHAETON.

4:38
2

BYRON AND OTHER POETS COMPARED. - (For the Mirror.)

4:46
3

THE SONG OF THE WIDOWED MOTHER TO HER CHILD. - BY THE AUTHOR OF "AHAB." - (For the Mirror.)

1:01
4

PAY OF THE JUDGES IN FORMER TIMES. - (For the Mirror.)

4:40
5

THE SELECTOR AND LITERARY NOTICES OF NEW WORKS.

21:24
6

THE MONTHS.

7:54
7

ASTRONOMICAL OCCURENCES - FOR JULY, 1827. - (For the Mirror.)

4:43
8

THE SKETCH BOOK

4:08
9

THE NOVELIST.

6:55
10

ORIGINS AND INVENTIONS.

4:29

Description

The latest issue invites readers into a leisurely stroll through Windsor Forest, where the monarch enjoys daily rides in his pony phaeton along the famed Long Walk. Detailed sketches accompany vivid prose that paints the park’s rolling avenues, elegant cottages, and the tranquil Queen’s Lodge, giving a charming glimpse of royal life away from courtly bustle.

Interwoven with the scenic tour is a heartfelt re‑creation of a private letter the Prince of Wales sent to Alexander Davison on the death of Admiral Nelson. The poignant tribute reveals the depth of personal grief and national reverence felt for the celebrated hero, offering a rare window into early‑19th‑century sentiment.

The edition rounds off with a reflective essay comparing Byron and his contemporaries, pondering how society honors genius that is cut short. Readers will find a blend of travel, history, and literary contemplation that captures the spirit of its era.

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Details

Language

en

Duration

~1 hours (72K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram and Project Gutenberg Distributed Proofreaders

Release date

2006-02-01

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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