
audiobook
by Francis Beaumont, John Fletcher
FRANCIS BEAUMONT - Born 1584 Died 1616
JOHN FLETCHER - Born 1579 Died 1625
BEAUMONT AND FLETCHER
THE MAD LOVER, A TRAGI-COMEDY.
Actus Secundus. Scena Prima.
Actus Tertius. Scena Prima.
Actus Quartus. Scena Prima.
Actus Quintus. Scena Prima.
Prologue.
Epilogue.
Set in the sun‑lit kingdom of Paphos, the play opens with King Astorax welcoming a parade of soldiers, courtiers, and his spirited sister Calis. Among the arrivals is the celebrated General Memnon, famed both for his battlefield brilliance and his reckless, impetuous nature—hence the nickname “the Mad Lover.” His swaggering bravado and sharp tongue quickly draw the attention of the court, setting a lively tone that mixes grand speeches with witty banter.
As the new guests settle in, the audience is introduced to a tangled web of loyalties and desires. Memnon’s fierce reputation collides with the softer intrigues of love and rivalry, while the king’s loyal subjects, a chorus of soldiers, and a handful of colorful women—ranging from the devoted Calis to the mischievous priest of Venus—add layers of humor and tension. The first act teases a clash between martial glory and romantic folly, promising a vibrant blend of tragedy and comedy that will keep listeners eagerly awaiting the next turn of events.
Full title
The Mad Lover, a Tragi-Comedy The Works of Francis Beaumont and John Fletcher (3 of 10) The Works of Francis Beaumont and John Fletcher (3 of 10)
Language
en
Duration
~1 hours (112K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
Jan 18, 2011
Rights
Public domain in the USA.
Subjects

1584–1616
Best known as one half of the celebrated Beaumont and Fletcher partnership, this Jacobean dramatist helped shape early 17th-century English theater with witty comedies and tragedies. His work ranges from lively satire to courtly drama, and it stayed influential long after his short life ended.
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1579–1625
A major voice of Jacobean drama, this gifted playwright helped shape the sound of the English stage after Shakespeare. His fast-moving collaborations and flair for tragicomedy made him one of the most popular dramatists of his age.
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