
author
1579–1625
A major voice of Jacobean drama, this gifted playwright helped shape the sound of the English stage after Shakespeare. His fast-moving collaborations and flair for tragicomedy made him one of the most popular dramatists of his age.

by John Fletcher, Francis Beaumont

by Francis Beaumont, John Fletcher

by John Fletcher, Francis Beaumont

by John Fletcher, William Shakespeare

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher

by John Fletcher, Francis Beaumont

by John Fletcher, Francis Beaumont, Philip Massinger

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher

by John Fletcher, Francis Beaumont

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher

by John Fletcher

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher

by John Fletcher, Francis Beaumont, Philip Massinger

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher

by Francis Beaumont, John Fletcher
Born in December 1579 in Rye, Sussex, John Fletcher was the son of Richard Fletcher, a prominent churchman who later became bishop of London. He emerged in the early 17th century as one of the leading playwrights of the Jacobean era, writing for the London stage at a time when theater was flourishing.
Fletcher is especially remembered for his partnership with Francis Beaumont and for later becoming closely associated with the King's Men, the company linked with William Shakespeare. Scholars and reference works describe him as one of the most prolific dramatists of his day, and his work was admired both during his lifetime and long afterward, especially in the Restoration period.
He wrote or collaborated on dozens of plays, including comedies, tragedies, and tragicomedies, and he is often credited with helping popularize tragicomedy in English theater. Fletcher died in London in August 1625, but his influence remained strong through the 17th century as audiences continued to read, stage, and celebrate his plays.