
PREFACE
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The book gathers a series of essays first appearing in a leading literary review in the early 1920s, each probing the hidden rules that shape great writing. Its author argues that language itself imposes boundaries, and that a writer must keep the reader’s mind in view if a work is to endure. By contrasting literature that merely reports facts with art that reveals timeless human feeling, the collection asks us to reconsider what we expect from the pages we turn.
Drawing on the insights of Aristotle, Santayana and Woodbridge, the essays treat criticism as a careful observation of how stories move their audience. They explore how the discipline of form, choice of words, and awareness of psychological impact can turn a novel or poem into a lasting portrait of experience. Readers will find a thoughtful guide that challenges the prevailing view of literature as a vehicle for information and invites a deeper appreciation of its artistic core.
Language
en
Duration
~3 hours (186K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Aug 21, 2020
Rights
Public domain in the USA.

1879–1951
A lively man of letters who moved easily between classrooms, concert halls, and bestselling fiction, he helped popularize big ideas for a broad audience. He is especially remembered for witty, modern retellings of classical stories and for shaping the early Great Books tradition in American higher education.
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