The Laws of Candy Beaumont & Fletcher's Works (3 of 10)

audiobook

The Laws of Candy Beaumont & Fletcher's Works (3 of 10)

by Francis Beaumont, John Fletcher

EN·~1 hours·1 chapter

Chapters

1 total

1:39:06

Description

In a bustling, war‑torn kingdom called Candy, the audience meets a colorful cast of soldiers, senators, and scheming diplomats. General Cassilanes, the seasoned ruler, and his ambitious son Antinous clash over command, while the secretive secretary Gaspero and the reflective gentleman Melitus whisper about fragile peace and looming danger. The opening scenes set a tone that mixes sharp political satire with the heightened emotions of a classic tragedy.

At the heart of the conflict is a tangled romance: the proud Princess Erota of Cyprus, whose fierce beauty captivates Prince Philander, and the unwelcome meddling of Venetian forces led by the cunning Gonzalo. As the Senate prepares to convene, ancient “Laws of Candy” are invoked—principles of vengeance and heroic reward that promise both justice and chaos. Through witty dialogue and escalating tension, the play hints at a battle not only of swords, but of honor, love, and the very rules that bind a nation.

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Full title

The Laws of Candy Beaumont & Fletcher's Works (3 of 10) Beaumont & Fletcher's Works (3 of 10)

Language

en

Duration

~1 hours (95K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram, Paul Murray and the Online Distributed Proofreading Team

Release date

Jan 1, 2005

Rights

Public domain in the USA.

About the authors

Francis Beaumont

Francis Beaumont

1584–1616

Best known as one half of the celebrated Beaumont and Fletcher partnership, this Jacobean dramatist helped shape early 17th-century English theater with witty comedies and tragedies. His work ranges from lively satire to courtly drama, and it stayed influential long after his short life ended.

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John Fletcher

John Fletcher

1579–1625

A major voice of Jacobean drama, this gifted playwright helped shape the sound of the English stage after Shakespeare. His fast-moving collaborations and flair for tragicomedy made him one of the most popular dramatists of his age.

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