
By Sir Walter Scott, Bart.
Preface
ARGUMENT.
THE LADY OF THE LAKE.
CANTO FIRST. - The Chase.
CANTO SECOND. - The Island.
CANTO THIRD. - The Gathering.
CANTO FOURTH. - The Prophecy.
CANTO FIFTH. - The Combat.
CANTO SIXTH. - The Guard-room.
Set against the mist‑shrouded lochs and craggy hills of the Western Highlands, the poem opens with a vivid chase through pine‑laden glens, where the haunting harp of the north suddenly falls silent. The narrator paints a landscape alive with rustling leaves, ancient springs, and the echo of old battles, drawing listeners into a world where nature itself seems to hold its breath. In this first canto we meet a band of Highland warriors and a mysterious, enchanting lady whose presence hints at both danger and destiny.
The story unspools over six days, each marked by a new canto that deepens the tangled web of love, honor, and rivalry. Early encounters reveal a fierce loyalty among the clans, a budding affection that borders on the forbidden, and the restless spirit of the lake that watches over them all. As the chase draws to a close, the stage is set for quests and betrayals that will test every character’s resolve, inviting listeners to follow the melody of a timeless Scottish legend.
Language
en
Duration
~8 hours (471K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by J.C. Byers, and David Widger
Release date
Jan 1, 2002
Rights
Public domain in the USA.

1771–1832
A pioneer of the historical novel, this Scottish writer turned the past into vivid adventure and helped shape how generations imagined medieval Britain and Scotland.
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by Walter Scott

by Walter Scott

by Walter Scott

by Walter Scott

by Walter Scott

by Walter Scott

by Walter Scott

by Walter Scott