
By Sir Walter Scott, Bart.
Preface
ARGUMENT.
THE LADY OF THE LAKE.
CANTO FIRST. - The Chase.
CANTO SECOND. - The Island.
CANTO THIRD. - The Gathering.
CANTO FOURTH. - The Prophecy.
CANTO FIFTH. - The Combat.
CANTO SIXTH. - The Guard-room.
Set against the mist‑shrouded lochs and craggy hills of the Western Highlands, the poem opens with a vivid chase through pine‑laden glens, where the haunting harp of the north suddenly falls silent. The narrator paints a landscape alive with rustling leaves, ancient springs, and the echo of old battles, drawing listeners into a world where nature itself seems to hold its breath. In this first canto we meet a band of Highland warriors and a mysterious, enchanting lady whose presence hints at both danger and destiny.
The story unspools over six days, each marked by a new canto that deepens the tangled web of love, honor, and rivalry. Early encounters reveal a fierce loyalty among the clans, a budding affection that borders on the forbidden, and the restless spirit of the lake that watches over them all. As the chase draws to a close, the stage is set for quests and betrayals that will test every character’s resolve, inviting listeners to follow the melody of a timeless Scottish legend.
Language
en
Duration
~8 hours (471K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by J.C. Byers, and David Widger
Release date
2002-01-01
Rights
Public domain in the USA.

1771–1832
A master of romance, adventure, and memory, this Scottish writer helped shape the historical novel as we know it. His stories of chivalry, conflict, and national identity made books like Ivanhoe, Rob Roy, and the Waverley novels famous across Europe.
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by Walter Scott

by Walter Scott

by Walter Scott

by Walter Scott

by Walter Scott

by Walter Scott

by Walter Scott

by Walter Scott