The Knickerbocker, Vol. 10, No. 3, September 1837

audiobook

The Knickerbocker, Vol. 10, No. 3, September 1837

by Various Authors

EN·~4 hours·28 chapters

Chapters

28 total
1

Transcriber's Note: The following Table of Contents has been added for the convenience of the reader.

0:37
2

SCANDINAVIAN LITERATURE AND ANTIQUITIES.

27:44
3

ANACREONTIC.

0:48
4

THE AMERICAN WILD ROSE.

2:59
5

EDWARD FANE'S ROSEBUD.

16:13
6

THE SONG OF THE SHIP.

1:21
7

MARK!

21:38
8

NATURE.

0:49
9

FRANCIS MITFORD.

16:50
10

SERENADE.

1:26

Description

This essay opens with a thoughtful meditation on why the works of ancient Greece and Rome continue to command respect across the ages. It highlights the timeless appeal of Plato, Homer, Cicero and their peers, noting how poetry and eloquence speak to both civilized and “savage” ears alike. By framing these classics as the enduring pillars of cultural memory, the piece sets a scholarly tone that invites listeners to contemplate the very roots of Western thought.

Turning northward, the discussion shifts to the relatively unexplored world of Scandinavian literature, from the Eddas to the historical sagas of Norway, Sweden, Denmark and Iceland. The author sketches the unique character of these texts—poems on parchment, saga narratives of voyages to Vinland, and the grit of a people whose written tradition began centuries later than that of the Greeks. Listeners are offered a concise yet vivid portrait of how these northern treasures complement and contrast the classical canon, promising an enriching glimpse into a lesser‑known literary heritage.

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Details

Language

en

Duration

~4 hours (283K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Barbara Tozier, Bill Tozier, JoAnn Greenwood, and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2014-04-01

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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