The Knickerbocker, or New-York Monthly Magazine, March 1844 Volume 23, Number 3

audiobook

The Knickerbocker, or New-York Monthly Magazine, March 1844 Volume 23, Number 3

by Various Authors

EN·~6 hours·29 chapters

Chapters

29 total
1

WHAT IS TRANSCENDENTALISM? - BY A THINKING MAN.

19:28
2

LINES SENT WITH A BOUQUET. - BY PARK BENJAMIN.

0:02
3

I.

0:17
4

II.

0:17
5

III.

0:17
6

IV.

0:17
7

THE ALMS HOUSE. - BY A NEW CONTRIBUTOR.

18:41
8

APOSTROPHE TO HEALTH.

0:50
9

ISABEL.

0:27
10

ONE READING FROM TWO POETS.

8:29

Description

In this lively 1844 essay, a self‑styled “thinking man” launches a spirited debate on the meaning of transcendentalism, using humor and sharp observation to expose the era’s philosophical buzz. Through a back‑and‑forth dialogue with a skeptical friend, the piece dissects the pretensions of contemporary writers, contrasts the lofty ideas of Emerson and Carlyle with the clumsy prose that sometimes hides them, and questions whether a label can ever capture a deeper truth.

Listeners will be treated to a witty, conversational style that feels both historical and surprisingly modern, inviting reflection on how ideas are packaged and judged. The essay’s playful sarcasm and thoughtful critique make it a compelling snapshot of mid‑century American intellectual life, offering a window into the cultural battles over language, meaning, and the ever‑present temptation to dismiss concepts that sound unfamiliar.

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Details

Full title

The Knickerbocker, or New-York Monthly Magazine, March 1844 Volume 23, Number 3 Volume 23, Number 3

Language

en

Duration

~6 hours (351K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Barbara Tozier, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2007-01-25

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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