The Iron Pincers; or, Mylio and Karvel: A Tale of the Albigensian Crusades

audiobook

The Iron Pincers; or, Mylio and Karvel: A Tale of the Albigensian Crusades

by Eugène Sue

EN·~4 hours·27 chapters

Chapters

27 total
1

THE IRON PINCERS

1:15
2

MYLIO AND KARVEL

0:15
3

INDEX

0:56
4

TRANSLATOR'S PREFACE.

1:28
5

INTRODUCTION.

1:11
6

PART I.THE COURT OF LOVE

0:01
7

CHAPTER I. - THE ORCHARD OF MARPHISE.

22:03
8

CHAPTER II. - GOOSE-SKIN THE JUGGLER.

22:33
9

CHAPTER III. - FLORETTE.

14:41
10

CHAPTER IV. - THE GARDEN OF EGLANTINE.

25:32

Description

Set amid the turbulent year of 1208, the story opens with Mylio the Trouvere recounting life in a realm where chivalric courts of love mingle with the looming shadow of the Albigensian Crusade. The narrator’s voice—both poetic and urgent—draws listeners into medieval orchards, bustling taverns, and whispered verses that echo through stone‑cobbled streets.

At the heart of the tale are Mylio and his brother Karvel, bound by family loyalty and a yearning for religious purity. Their world is torn between the refined rituals of noble ladies, the intoxicating games of courtly romance, and the harsh reality of fanatic clergy who brand dissent as heresy. As the brothers navigate intrigue and swelling tensions, the narrative balances moments of lyrical tenderness with the stark menace of impending conflict.

Rendered in vivid dialogue, the story feels like a living play, where music, poetry, and sharp political commentary collide. Listeners are invited to experience the clash of ideals and the raw humanity of a people caught between love’s idealism and the brutal iron grip of persecution.

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Details

Language

en

Duration

~4 hours (255K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2010-07-08

Rights

Public domain in the USA.

About the author

Eugène Sue

Eugène Sue

1804–1857

A master of the 19th-century serial novel, he drew huge audiences with gripping stories that mixed suspense, crime, and sharp social observation. Best known for The Mysteries of Paris, he helped turn the newspaper feuilleton into a powerful form of popular fiction.

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