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THE INTERNATIONAL MAGAZINE - Of Literature, Art, and Science. - Vol. V. NEW-YORK, APRIL 1, 1852. No. IV.
WILLIAM GILMORE SIMMS, LL.D.
CHRONOLOGICAL LIST OF WORKS BY MR. SIMMS.
THE PALACES OF TRADE.
HERMAN HOOKER, D.D.
SUNSET. - WRITTEN FOR THE INTERNATIONAL MAGAZINE. - BY R. S. CHILTON
NEW-YORK SOCIETY, BY THE LAST ENGLISH TRAVELLER.
EMILIE DE COIGNY. - WRITTEN FOR THE INTERNATIONAL MONTHLY MAGAZINE. - BY RICHARD B. KIMBALL.
A LEGEND. - TRANSLATED FOR THE INTERNATIONAL FROM THE SPANISH, - BY MRS. M. E. HEWITT.
CAGLIOSTRO, THE MAGICIAN. - WRITTEN FOR THE INTERNATIONAL MONTHLY MAGAZINE. - BY CHARLES WYLLYS ELLIOT.
This 1852 issue of a distinguished literary magazine opens with an extensive tribute to one of America’s most resilient writers. It traces his early years—from a modest upbringing in the South and a brief stint in law to the loss of family fortunes that shaped his tenacious spirit. The piece paints a vivid picture of his personal journey, highlighting the perseverance that earned him scholarly honors despite limited formal education.
Beyond the biography, the article celebrates his remarkable range: a poet who blends vivid natural imagery with deep philosophical reflection, a journalist unafraid of controversial stances, and a novelist whose Southern roots infuse his work with authentic color. Readers will discover how his early verses, written as a child, evolved into mature compositions that capture the region’s landscapes and traditions, offering a window into the mind of a writer whose influence helped define 19th‑century American letters.
Language
en
Duration
~12 hours (746K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by Cornell University Digital Collections.)
Release date
2011-02-21
Rights
Public domain in the USA.
A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.
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