The International Monthly, Volume 3, No. 4, July, 1851

audiobook

The International Monthly, Volume 3, No. 4, July, 1851

by Various Authors

EN·~13 hours·36 chapters

Chapters

36 total

THE INTERNATIONAL MAGAZINE - Of Literature, Art, and Science. - Vol. III. NEW-YORK, JULY 1, 1851. No. IV.

1:10

FITZ-GREENE HALLECK.

3:40

THE BENEVOLENT INSTITUTIONS OF NEW-YORK.

6:35

ADVENTURES AND OBSERVATIONS IN NICARAGUA.

15:22

DECIMA.

0:42

THE CONSPIRACY OF PONTIAC.

12:26

DR. STARBUCK MAYO, AUTHOR OF "KALOOLAH," "THE BERBER," &c.

9:09

Original Correspondence.

16:38

FRENCH FEUILLETONISTES UPON LONDON.

15:12

SCHALKEN THE PAINTER.—A GHOST STORY.

9:38

Description

Stepping into the bustling world of an 1851 New‑York publication, listeners are greeted by a lively tableau of mid‑century thought. The opening essay praises the city’s charitable spirit, setting a tone of earnest curiosity that carries through each piece, while thoughtful commentary on poetry, art and science offers a window into the intellectual currents of the day.

Within the volume, a traveler recounts vivid adventures in Nicaragua, a French feuilletonist reflects on London’s literary scene, and a ghost story by Schalken provides a chilling pause. Sketches of Swedish life, a Frenchman’s view of American women poets, and a humorous look at “Ladies’ Summer Fashions” mingle with scholarly reviews of Dickens, Thackeray and contemporary artists. The collection balances serious criticism with light‑hearted observation, making it a rich auditory snapshot of a world eager to explore, debate and delight.

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Details

Language

en

Duration

~13 hours (775K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by Cornell University Digital Collections.)

Release date

2010-09-28

Rights

Public domain in the USA.

About the author

VA

Various Authors

A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.

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