The Infant's Skull; Or, The End of the World. A Tale of the Millennium

audiobook

The Infant's Skull; Or, The End of the World. A Tale of the Millennium

by Eugène Sue

EN·~2 hours·20 chapters

Chapters

20 total
1

E-text prepared by Chuck Greif and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from scanned images of public domain material generously made available by the Google Books Library Project (http://books.google.com/)

0:25
2

THE END OF THE WORLD

0:15
3

TRANSLATOR'S PREFACE

1:40
4

INDEX

0:30
5

PART I.

0:00
6

CHAPTER I.

13:23
7

CHAPTER II.

7:16
8

CHAPTER III.

4:46
9

CHAPTER IV.

7:51
10

CHAPTER V.

7:52

Description

Set against the mist‑shrouded forest of Compiegne in the year 987, the story opens with a breathless young woman racing to the secret “Fountain of the Hinds,” where she meets a rugged lover named Hugh. Their urgent reunion crackles with passion, yet the moment is cut short by a stern reminder that the world beyond the woods is holding its breath. In these early pages the narrative blends vivid, almost cinematic descriptions of medieval life with a looming sense of destiny that stretches far beyond the lovers’ forest rendezvous.

The novel then widens its scope, tracing the fortunes of a proletarian family through the fevered anticipation of the millennium. As the year 1000 approaches, apocalyptic rumors ignite a frenzy among all classes, and the characters must navigate fear, superstition, and the harsh realities of survival. The author weaves factual history into the personal dramas, offering listeners a rich tapestry of medieval intrigue and the timeless human impulse to seek hope amid looming catastrophe.

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Details

Language

en

Duration

~2 hours (117K characters)

Publisher of text edition

Project Gutenberg

Release date

2010-03-24

Rights

Public domain in the USA.

About the author

Eugène Sue

Eugène Sue

1804–1857

A master of the 19th-century serial novel, he drew huge audiences with gripping stories that mixed suspense, crime, and sharp social observation. Best known for The Mysteries of Paris, he helped turn the newspaper feuilleton into a powerful form of popular fiction.

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