
ILLUSTRATIONS
CHAPTER I - 'IT'S DREADFUL, ISN'T IT?'
CHAPTER II - 'MUFFINS, FOR ONE THING, I HOPE'
CHAPTER III - 'IT'S A WONDERFUL IDEA, IDA'
CHAPTER IV - 'GEORDIE STOOD UP AND WAVED HIS CAP'
CHAPTER V - 'WHAT CAN SHE MEAN?'
CHAPTER VI - 'YOU DO UNDERSTAND SO WELL, MAMMA'
CHAPTER VII - 'NO,' SAID MAMMA, 'THAT ISN'T ALL'
CHAPTER VIII - 'I'VE BROUGHT MY HOUSE WITH ME, LIKE A SNAIL'
CHAPTER IX - 'THE KIND SEA, TOO, AUNTIE DEAR'
A young narrator watches her family navigate a quiet, uneasy afternoon, where a tiny, mysterious creature is gently tethered and the adults’ whispered worries linger in the drawing‑room. Between tender moments with her brother Geordie and the restless chatter of neighborhood children, she feels the weight of an unspoken sorrow that seems to hang over the household. The story opens with her and her friends seeking refuge in a little hut—a place that feels far larger and more secret than its name suggests.
From this modest hideaway, the children exchange uneasy jokes and uneasy observations, hinting at a deeper, uncanny change beginning to affect their world. As they dodge the curious younger kids and grapple with the strange news their father has delivered, a sense of anticipation builds around the house itself, which seems poised to grow in ways none of them fully understand. The opening promises a blend of gentle family drama and subtle, magical mystery that will keep listeners turning the pages.
Language
en
Duration
~3 hours (229K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Annie McGuire. This book was produced from scanned images of public domain material from the Google Print archive.
Release date
2012-04-28
Rights
Public domain in the USA.

1839–1921
Beloved in her time for warm, imaginative stories, this Victorian writer helped shape children's fiction with tales that mixed everyday family life with a touch of magic. She is still best known for classics such as The Cuckoo Clock and The Tapestry Room.
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