
THE HOUSE ON THE MOOR
PREFACE.
THE HOUSE ON THE MOOR. - CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
In a bleak, wind‑swept moor, a modest house holds only two occupants: a young woman named Susan and her brother Horace. Their days unfold in a dim, single‑windowed room where heavy red curtains choke the scarce light, and the fire casts a weak glow over a polished mahogany table. Susan spends her time quietly stitching, her flaxen hair and blue eyes a soft contrast to the surrounding gloom, while Horace, a studious yet restless youth, wrestles with half‑finished German exercises and a lingering frustration that mirrors the endless gray outside.
The narrative paints a vivid picture of isolation and routine, hinting at the subtle strains that develop between the siblings as they each cling to their small comforts. As February rain drifts over the moor, the house becomes a stage for quiet yearning and the unspoken tensions that may soon disturb the fragile equilibrium of their secluded lives.
Language
en
Duration
~5 hours (313K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
2014-05-29
Rights
Public domain in the USA.

1828–1897
A hugely productive Victorian storyteller, she wrote vivid novels of family life, small-town society, and the supernatural while supporting her family through her pen. Her work ranges from the much-loved Chronicles of Carlingford to ghost stories that still feel sharp and modern.
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