
audiobook
THE HISTORY OF SILK, COTTON, LINEN, WOOL, AND OTHER FIBROUS SUBSTANCES;
PREFACE.
PART FIRST. ANCIENT HISTORY OF SILK.
PART SECOND. ORIGIN AND ANCIENT HISTORY OF THE SHEEP.
PART THIRD. ANCIENT HISTORY OF THE COTTON MANUFACTURE.
PART FOURTH. ANCIENT HISTORY OF THE LINEN MANUFACTURE.
APPENDICES.
LIST OF PLATES.
PART FIRST. ANCIENT HISTORY OF SILK.
TIBULLUS.
This volume opens a sweeping survey of humanity’s relationship with the fibers that clothed and sustained civilization—from the silken threads of ancient China to the sturdy wool of the shepherds of the Mediterranean. Drawing on a wealth of classical sources, the author traces how spinning, dyeing, and weaving evolved alongside the daily lives of early peoples, revealing the quiet ingenuity that turned raw plant and animal fibers into useful textiles. Rich steel engravings accompany the narrative, giving a vivid visual sense of historic looms, dyes, and market stalls.
The work also uses these material arts as a lens to examine the social structures, trade networks, and domestic routines of antiquity, linking the development of fabrics to broader cultural shifts. Appendices explore related topics such as the manufacture of linen and cotton paper, felting, and netting, while contextual notes connect the material evidence to passages in ancient literature. Readers interested in archaeology, the history of technology, or the humble origins of everyday cloth will find a clear, well‑researched guide that brings forgotten workshops back to life.
Full title
The History of Silk, Cotton, Linen, Wool, and Other Fibrous Substances; Including Observations on Spinning, Dyeing, and Weaving. Including Observations on Spinning, Dyeing, and Weaving.
Language
en
Duration
~15 hours (909K characters)
Publisher of text edition
Project Gutenberg
Credits
Turgut Dincer, SF2001, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2021-07-31
Rights
Public domain in the USA.
Best known for richly detailed 19th-century books on weaving and textile history, this little-documented writer moved comfortably between practical craft knowledge and reflective religious writing. His surviving works suggest a curious mind interested both in how things were made and in how people made meaning of their lives.
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