
PART I - MY EARLY ASSOCIATIONS WITH GINGER STOTT
CHAPTER I - THE MOTIVE
CHAPTER II - NOTES FOR A BIOGRAPHY OF GINGER STOTT
CHAPTER III - THE DISILLUSIONMENT OF GINGER STOTT
PART II - THE CHILDHOOD OF THE WONDER
CHAPTER IV - THE MANNER OF HIS BIRTH
CHAPTER V - HIS DEPARTURE FROM STOKE-UNDERHILL
CHAPTER VI - HIS FATHER’S DESERTION
CHAPTER VII - HIS DEBT TO HENRY CHALLIS
CHAPTER VIII - HIS FIRST VISIT TO CHALLIS COURT
A weary traveler, lost in Bergson’s ideas about free will, finds his attention snapped from the pages by a strikingly bald infant cradled in a mother’s arms. The child’s eyes are steady, almost calculating, and each time they meet a fellow passenger, the adult is frozen, then released with an odd mixture of bewilderment and reverence. The narrator notes the strange, almost hypnotic power the infant seems to wield, even as he grapples with his own skepticism about “freaks” and abnormality.
The mother, dressed in an elegantly old‑fashioned coat, appears composed yet protective, her presence adding a layer of social intrigue to the encounter. As the train rumbles onward, the infant’s silent appraisal draws a diverse cast of strangers—news‑reading men, a corpulent gentleman, a bespectacled clerk—into a shared, unsettling moment that hints at something beyond ordinary childhood.
From this unsettling opening, the story unfolds as a psychological puzzle, probing the limits of freedom, the nature of intelligence, and what it means to be observed by a mind that seems far older than its years. Listeners are invited to follow the narrator’s uneasy curiosity as he seeks the truth behind the child’s uncanny influence.
Language
en
Duration
~5 hours (324K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for Project Gutenberg (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2016-09-11
Rights
Public domain in the USA.
Subjects

1873–1947
Best known for imaginative early science fiction and eerie short fiction, this English writer moved easily between the uncanny, the philosophical, and the sharply human. His work helped shape later speculative fiction while keeping a strong emotional pull of its own.
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