
THE FOOL
THE PERSONS
THE PLACES
THE FOOL ACT I.
ACT II.
ACT III.
ACT IV.
Set against the glow of a lavish New York church on Christmas Eve 1918, the opening of this four‑act drama introduces a world of glittering gifts and strained proprieties. Mrs. Henry Gilliam, a wealthy matron, presides over the scene with self‑satisfied authority, while her daughter Dilly, a sharp‑tongued flapper, climbs the tree with restless confidence. Across the pews, the elegant but tormented divorcee Leila Thornbury adds a hint of hidden desperation to the festive tableau.
As the candles remain unlit and the ornaments lie half‑unpacked, the characters' polished exteriors begin to crack, revealing competing ambitions, old grievances, and the quiet cruelty of social expectation. The play’s title suggests a singular figure—a self‑styled “fool” crowned with thorns—who will challenge the hypocrisy that binds each household, from the clergy to the affluent patrons. Through witty dialogue and carefully staged settings that shift from the church to a modest apartment, the story builds a tension between shallow celebration and the yearning for authentic connection.
Language
en
Duration
~2 hours (140K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Edwards, Kate Rooney and Ian Smith, Diane Monico, and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
Jun 9, 2015
Rights
Public domain in the USA.

1880–1946
A sharp-eyed man of the theater, he moved easily between journalism, criticism, playwriting, and early screenwriting. His career captured the bustle of American stage life in the early 20th century, with work that ranged from Broadway plays to memoir.
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