The Fantasy Fan, Volume 2, Number 2, October 1934 The Fan's Own Magazine

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The Fantasy Fan, Volume 2, Number 2, October 1934 The Fan's Own Magazine

by Various Authors

EN·~49 minutes·5 chapters

Chapters

5 total
1

OUR READERS SAY

5:25
2

WITHIN THE CIRCLE by F. Lee Baldwin

2:10
3

SUPERNATURAL HORROR IN LITERATURE - by H. P. Lovecraft

12:23
4

FUNGI FROM YUGGOTH - by H. P. Lovecraft

1:31
5

Beyond the Wall of Sleep - by H. P. Lovecraft

27:37

Description

The October 1934 issue opens by announcing a new dedication series, beginning with a tribute to H. P. Lovecraft and his extensive essay on supernatural horror. Readers are invited to vote on future honorees, promising a rotating focus that will spotlight writers like Clark Ashton Smith, Edgar Allan Poe, and even whole branches of weird poetry. The editorial voice is warm and inclusive, setting a tone of communal enthusiasm for the strange and wonderful.

Scattered throughout are glowing letters from fans across the country, praising standout pieces such as Richard Ely Morse’s haunting tale “Ebony and Ash,” R. H. Barlow’s “The Fall of the Three Cities,” and a range of evocative poems by Clark Ashton Smith and Robert Nelson. These testimonials reveal a vibrant network of correspondents who relish sharing discoveries, recommending columns like “Famous Fantasy Fiction,” and urging the magazine to grow in size and scope. The overall effect is a snapshot of a passionate early‑fandom, where every issue feels like a gathering of kindred spirits united by a love of the weird.

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Details

Full title

The Fantasy Fan, Volume 2, Number 2, October 1934 The Fan's Own Magazine The Fan's Own Magazine

Language

en

Duration

~49 minutes (47K characters)

Publisher of text edition

Project Gutenberg

Credits

Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2021-03-27

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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