
THE - FALSE ONE. - A - TRAGEDY.
Persons Represented in the Play.
Actus Primus. Scena Prima.
Actus Secundus. Scena Prima.
Actus Tertius. Scena Prima.
Actus Quartus. Scena Prima.
Actus Quintus. Scena Prima.
Prologue.
Epilogue.
APPENDIX.
Set against the glittering courts of ancient Egypt and the storm‑tossed camps of a fractured Rome, the play opens with a tense council among advisers, soldiers, and the enigmatic Cleopatra herself. The loyal priest Achoreus and the hardened captain Achillas debate the legitimacy of holding the queen in custody—a move meant to secure the kingdom but one that clashes with Egyptian tradition and the expectations of the distant Senate. Their conversation reveals a world where loyalty, power, and personal honor are in constant conflict, while the looming clash between Caesar’s lean forces and Pompey’s massive army lingers in the background.
Through sharp, rhetoric‑laden dialogue, listeners hear the simmering distrust between the Roman commanders and the Egyptian court, as well as the restless ambition of the rebel Septimius. The stage is alive with political intrigue, military bravado, and the uneasy promise of a marriage that could bind two empires—or spark a tragedy that will echo through history.
Language
en
Duration
~2 hours (115K characters)
Publisher of text edition
Project Gutenberg
Release date
2005-01-23
Rights
Public domain in the USA.

1584–1616
Best known as half of the famed Beaumont and Fletcher partnership, this English Renaissance dramatist helped shape the lively, emotionally rich theater of the Jacobean age. His plays mix wit, romance, and sharp stagecraft in ways that still feel surprisingly fresh.
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1579–1625
A leading voice of Jacobean drama, this playwright helped shape the English stage after Shakespeare and was famous in his own lifetime for lively comedies, tragedies, and tragicomedies. He wrote widely with collaborators, especially Francis Beaumont, and later became the principal dramatist for the King's Men.
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