
THE CRAIG KENNEDY SERIES - THE EXPLOITS OF ELAINE - BY - ARTHUR B. REEVE - THE EXPLOITS OF ELAINE - CHAPTER I - THE CLUTCHING HAND
"THE CLUTCHING HAND" WINS AGAIN - NEW YORK'S MYSTERIOUS MASTER CRIMINAL PERFECTS ANOTHER COUP - CITY POLICE COMPLETELY BAFFLED
THE FINGER PRINTS ON THE BUST WERE KENNEDY'S OWN. - CHAPTER II - THE TWILIGHT SLEEP
"CLUTCHING HAND" STILL AT LARGE - NEW YORK'S MASTER CRIMINAL REMAINS UNDETECTED—PERPETRATES NEW DARING MURDER AND ROBBERY OF MILLIONAIRE DODGE
"EMIL SCHWARZ, M. D.,
CHAPTER III - THE VANISHING JEWELS
"SIR:
OXYACETYLENE WELDING CO.
CHAPTER IV - "THE FROZEN SAFE"
"YOU HAVE INTERFERED FOR THE LAST TIME. IT IS THE END."
A hard‑nosed reporter is thrust into the glittering world of New York’s elite when a string of baffling murders bears the ominous signature of a “clutching hand.” The police are stumped, and his editor sends him after the head of the insurance firm that covered the victims, hoping to uncover a hidden motive. The investigation leads him to the opulent Fifth‑Avenue home of the powerful Dodge family, where wealth and privilege mask a deeper, more dangerous game.
Inside, he meets Elaine Dodge—a striking, modern debutante who balances tennis, tango, and a sharp wit with the expectations of high society. Her charm and curiosity make her both a potential ally and a tantalizing puzzle for the reporter, especially when a suave young lawyer, Perry Bennett, enters the scene. As the journalist pushes past polite resistance, the clash between the glittering social circle and the grim crimes outside promises a tense, cat‑and‑mouse chase that will keep listeners on edge.
Language
en
Duration
~7 hours (416K characters)
Publisher of text edition
Project Gutenberg
Release date
Feb 1, 2004
Rights
Public domain in the USA.

1880–1936
Best known for creating Professor Craig Kennedy, the “American Sherlock Holmes,” he helped bring science-minded detective fiction to a wide popular audience. His fast-moving stories mixed mystery, journalism, and early forensic imagination in a way that felt strikingly modern for the early 1900s.
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by Arthur B. (Arthur Benjamin) Reeve

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by Arthur B. (Arthur Benjamin) Reeve

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