
audiobook
by John Fletcher, Francis Beaumont, Philip Massinger
FRANCIS BEAUMONT
JOHN FLETCHER
THE ELDER BROTHER - THE SPANISH CURATE - WIT WITHOUT MONEY - BEGGARS BUSH - THE HUMOUROUS LIEUTENANT - THE FAITHFUL SHEPHERDESS - THE TEXT EDITED BY - ARNOLD GLOVER, M.A. - OF TRINITY COLLEGE AND THE INNER TEMPLE - AND - A.R. WALLER, M.A. - OF PETERHOUSE
NOTE:
THE ELDER BROTHER, A COMEDY.
LECTORI.
ACTUS PRIMUS. SCENA PRIMA.
ACTUS I. SCENA II.
ACTUS SE\[C\]UNDUS. SCENA PRIMA.
ACTUS TERTIUS. SCENA PRIMA.
A bright, fast‑moving comedy set in the world of a well‑to‑do household, the play opens with Lord Lewis urging his headstrong daughter Angellina to keep up her health through a brisk walk. Their exchange crackles with affectionate teasing, hinting at a family dynamic where love, duty and inheritance are constantly negotiated. Angellina’s lively spirit and the presence of witty servants and eager courtiers set the stage for a series of playful rivalries and romantic missteps.
The elder brother, a figure of both respect and impatience, becomes the focal point of a charming tug‑of‑war as various suitors and friends weave through schemes of money, reputation and affection. The dialogue sparkles with the clever wordplay and gentle satire that Beaumont and Fletcher are known for, offering listeners a glimpse into early‑17th‑century society while keeping the humor firmly grounded in timeless human foibles.
Full title
The Elder Brother The Works of Francis Beaumont and John Fletcher (Volume 2 of 10) The Works of Francis Beaumont and John Fletcher (Volume 2 of 10)
Language
en
Duration
~4 hours (247K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-04-01
Rights
Public domain in the USA.

1579–1625
A major voice of Jacobean drama, he helped shape the English stage after Shakespeare and was known for fast-moving tragicomedies, sharp dialogue, and high theatrical flair.
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1584–1616
Best known as John Fletcher’s great collaborator, this English Renaissance dramatist helped shape some of the most memorable plays of the Jacobean stage. His work blends wit, theatrical energy, and a sharp feel for friendship, ambition, and desire.
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1583–1640
A major playwright of the Jacobean and Caroline stage, he is remembered for sharp social satire, strong plotting, and a clear-eyed view of power, money, and ambition. His best-known plays include A New Way to Pay Old Debts, The City Madam, and The Roman Actor.
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