The Deacon: An Original Comedy Drama in Five Acts

audiobook

The Deacon: An Original Comedy Drama in Five Acts

by Horace C. Dale

EN·~2 hours·13 chapters

Chapters

13 total

THE DEACON

0:44

THE DEACON. - CAST OF CHARACTERS.

8:49

THE DEACON. - ACT I.

23:29

ACT II.

20:42

ACT III.

23:39

ACT IV.

15:21

ACT V.

15:09

SAVED FROM THE WRECK.

2:07

BETWEEN TWO FIRES.

2:20

UNCLE TOM'S CABIN (NEW VERSION.)

2:14

Description

Set in the bustling little town of Eastville, Virginia, this five‑act comedy follows the well‑meaning but often befuddled Deacon Thornton as he navigates a cascade of social mishaps. From a botched robbery in the hotel garden to a series of misunderstandings with the Thornton family and their quirky servants, the first act sparkles with rapid dialogue and slap‑slap humor. The colorful cast—including a nervous organ grinder, a pompous parson, and a host of meddling relatives—adds layers of farcical intrigue.

Within the Thornton household, the interplay of personalities fuels the comedy: Mrs. Thornton's matriarchal poise, her sister Amelia’s nervous devotion to a beloved pet, and the bright‑spirited Helen each clash with the Deacon’s earnest but clumsy attempts at propriety. The ever‑scheming servant Pete and the mischievous boy Billy add a layer of slapstick, constantly nudging the Deacon into absurd situations. Combined with quick‑witted dialogue, exaggerated stage directions, and period costumes that paint a vivid picture of 1880s small‑town life, the play offers listeners a breezy, laugh‑filled glimpse into a world where good intentions often backfire.

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Details

Language

en

Duration

~2 hours (117K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Dianna Adair, Paul Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

Apr 22, 2013

Rights

Public domain in the USA.

Subjects

About the author

HC

Horace C. Dale

1854–1907

Best known for lively late-19th-century stage dramas, this American playwright wrote fast-moving popular entertainments built for performance as much as for reading. His surviving works suggest a writer drawn to comedy-drama, strong theatrical situations, and the practical details of staging a show.

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