
I. AESTHETIC JURISPRUDENCE
II. DRAMA AS AN ART
III. THE PLACE OF THE THEATRE
IV. THE PLACE OF ACTING
V. DRAMATIC CRITICISM
VI. DRAMATIC CRITICISM IN AMERICA
A vivid meditation on the tangled relationship between creation and commentary, this work opens with a sweeping essay that treats art as a daring reach into the world’s ugliness to capture fleeting beauty, while positioning criticism as the essential dream‑book that illuminates and reshapes that vision. The author likens the critic to a second artist, donning a strange hat and coat to translate the original masterpiece into a clearer, more truthful form, and explores how the dialogue between artist and critic can be as fierce and fraternal as mythic rivals.
Through rich analogies—from candlelight on an altar to the stark contrast between swollen artistic illusion and the cold compress of critique—the narrative delves into the paradoxes of aesthetic judgment, questioning whether beauty and truth are ever true companions. As the first act unfolds, listeners are invited to consider how criticism both magnifies and reduces, offering a compelling framework for understanding the ever‑evolving dance of art and its interpreters.
Language
en
Duration
~2 hours (140K characters)
Publisher of text edition
Project Gutenberg
Release date
Sep 12, 2020
Rights
Public domain in the USA.

1882–1958
A sharp-tongued drama critic and magazine editor, he helped shape American theater talk in the first half of the 20th century. His reviews were witty, demanding, and famously hard to ignore.
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