
audiobook
by George Jean Nathan, H. L. (Henry Louis) Mencken
THE AMERICAN CREDO - A Contribution Toward the Interpretation - of the National Mind - BY - GEORGE JEAN NATHAN - and H. L. MENCKEN - NEW YORK - ALFRED A. KNOPF - 1920
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In this incisive essay the authors turn a keen eye toward the tangled web of ideas that shape the American psyche. They argue that beneath the noisy rhetoric of politicians, preachers, and advertisers lies a set of deep‑seated beliefs that guide ordinary people’s responses to the world. By teasing out these “congenital attitudes,” the writers reveal how leaders merely reshuffle existing convictions rather than introduce truly new concepts.
The discussion moves beyond abstract theory to show how everyday institutions—from the press to the YMCA—serve as laboratories for molding public sentiment. It paints a vivid picture of a populace whose core values remain surprisingly stable, even as information floods in and doubts arise among the more educated elite. Listeners will come away with a clearer sense of why certain slogans resonate, how cultural myths endure, and what it means to be “American” at the level of the collective mind.
Full title
The American Credo A Contribution Toward the Interpretation of the National Mind A Contribution Toward the Interpretation of the National Mind
Language
en
Duration
~2 hours (171K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Annie McGuire and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2007-12-14
Rights
Public domain in the USA.

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A sharp-tongued theater critic and magazine editor, he helped reshape American literary culture in the early 20th century. His writing is remembered for its wit, confidence, and unapologetically strong opinions about the stage.
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Known for his sharp wit and fearless opinions, this Baltimore journalist and critic became one of the most recognizable American voices of the early 20th century. His writing mixed satire, reporting, and cultural criticism in a way that still feels lively and provocative.
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