
THE CORNHILL MAGAZINE.
THE CORNHILL MAGAZINE. - CONTENTS of No. 1. January, 1860.
Campaigning in China.
Little Scholars.
The Carver’s Lesson.
William Hogarth: PAINTER, ENGRAVER, AND PHILOSOPHER. Essays on the Man, the Work, and the Time. - IV.—The Painter’s Progress.
Written in the Deepdene Album.
Lovel the Widower.
Studies in Animal Life.
Paterfamilias to the Editor of the “Cornhill Magazine.”
Step into the bustling world of mid‑Victorian England through a single issue of a celebrated literary magazine. Within its pages, readers encounter a lively blend of fiction, commentary, and scholarly essays that capture the spirit of 1860—an era where genteel society, exotic travel, and scientific curiosity coexist. The tone ranges from witty social observation to earnest reflection, offering a vivid portrait of the period’s cultural currents.
Among the contributions, a serialized tale set in a modest country parsonage follows a restless nobleman whose winter stay sparks both domestic comedy and subtle romance. A travel sketch transports us to bustling Canton, while a series of natural‑history chapters delves into animal behavior, hybrid vigor, and the mysteries of pearl formation. Interspersed are poetic musings, a spirited ode to a literary classic, and thoughtful essays on a renowned painter’s legacy. Together, these pieces form a rich mosaic that invites listeners to experience a snapshot of Victorian literary life, brimming with humor, curiosity, and the timeless charm of well‑crafted prose.
Language
en
Duration
~6 hours (375K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: Smith, Elder and Co., 1860.
Credits
hekula03 and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
Release date
2023-04-08
Rights
Public domain in the USA.
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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