The Complete Works of Artemus Ward — Part 3: Stories and Romances

audiobook

The Complete Works of Artemus Ward — Part 3: Stories and Romances

by Artemus Ward

EN·~57 minutes·39 chapters

Chapters

39 total
1

THE COMPLETE WORKS OF ARTEMUS WARD, PART 3, STORIES AND ROMANCES - (CHARLES FARRAR BROWNE)

0:09
2

PART III.

0:28
3

PART III. STORIES AND ROMANCES. - 3.1. MOSES THE SASSY; OR, THE DISGUISED DUKE. - CHAPTER I.—ELIZY.

1:48
4

CHAPTER II.—WAS MOSES Of NOBLE BIRTH?

1:29
5

CHAPTER III.—THE PIRUT FOILED.

1:58
6

CHAPTER IV. THE WANDERER'S RETURN.

0:58
7

3.2. MARION: A ROMANCE OF THE FRENCH SCHOOL. - I.

0:31
8

II.

0:29
9

III.

1:48
10

3.3. A ROMANCE.—WILLIAM BARKER, THE YOUNG PATRIOT. - I.

0:24

Description

A lively parade of tongue‑in‑cheek tales greets the listener, each one a whimsical send‑up of the grand narratives that once ruled the parlor. From the melodramatic romance of a fashionable lady in a Boston mansion to the blustering exploits of a fire‑engine captain who boasts trophies made of absurdly literal body parts, the humor walks a fine line between satire and affectionate parody. The narrator’s sharp wit twists familiar tropes—noble dukes, daring buccaneers, and melodramatic lovers—into delightfully skewed sketches that sparkle with clever wordplay and unexpected punchlines.

The collection feels like flipping through a mischievous 19th‑century magazine, where every story offers a fresh angle on love, honor, and absurd adventure. Listeners will enjoy the brisk pacing, the playful banter, and the ever‑present wink to literary conventions, all delivered in a voice that makes even the most outlandish characters oddly relatable.

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Details

Language

en

Duration

~57 minutes (55K characters)

Publisher of text edition

Project Gutenberg

Release date

2002-06-01

Rights

Public domain in the USA.

About the author

Artemus Ward

Artemus Ward

1834–1867

A sharp 19th-century humorist who turned newspaper sketches and comic lectures into a new kind of American entertainment. Writing as Artemus Ward, he mixed deadpan silliness with sly common sense and became a strong influence on later performers, including Mark Twain.

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